How to Write Titanic

titanic

How to Write Titanic

by L.A. Zvirbulis

1 – The Inspiration. Pick a well publicized international disaster. Does not matter if multiple movies have already been made about the disaster. It just has to be a famous disaster. Become obsessed with it to a point that the only way you can fund your love of visiting the tragic site is to make a studio-financed movie about it.

2 – The Genre. Historic drama tragedy romance with a modern twist? Pretty much Romeo and Juliet, but on a real boat in 1912 for a 1997 movie audience.

3 – The Complications. What’s the worst that could happen? The disaster you picked. In this case, the boat sinks after hitting an iceberg in the North Atlantic Ocean. People die. Lots of people die. Like, rich and famous people die, as well as lots of poor people and workers trapped in the lower decks, and even some middle-class types. Also, modern-day people actually get hurt during the filming of some of the dangerous stunt scenes, but that won’t stop this sinking ship from winning a history-making eleven Oscars at the Academy Awards and won’t even stop James Cameron from quoting himself when accepting those Oscars. If you really feel like the King of the World, I guess you need to shout it to an ocean of people forced to watch you give a speech.  

4 – The Fun Stuff. Leonardo DiCaprio falls in love with Kate Winslet and then dies and falls to the bottom of the ocean after she lets him go. Like we said, this is Romeo and Juliet on a boat, so at least one of the young lovers needs to die. In this case it’s not warring families, it’s separated class systems. A rich girl and a grunt, Director Jim’s favorite thing to write about. There is a rival fiancé and a pushy parent, and an excuse to have our sexy couple do sexy stuff all over this big sexy boat. Oh I guess the sexy stuff is the fun stuff. Leo is dreamy and Kate shows her boobs.

5 – The Device. The thing that the disaster takes place on/with. In this case, the boat, Titanic. It was famous then, it was still famous when James Cameron became obsessed with it to actually visit it in real life. The entire contrived Romeo and Juliet thing is just to get teenage girls to cry and to get people interested in what is actually a history lesson of what happened on the maiden voyage of the RMS Titanic. Director Jim knew that in order to get people to care about the boat sinking, the audience had to care about the people on board the boat. It’s as if the Titanic IS Leonardo DiCaprio, sinking to the bottom of the ocean, our Boat/Romeo forever enriching the lives of those who survived. Romantic, ain’t it?

6 – The Diamond.  The Heart of the Ocean drives the plot of the modern day story. Old Rose is flown out to meet the surveyors of the Titanic sight to hopefully gain insight on the location of this valuable jeweled necklace after they find a drawing of her wearing it, boobies out. It is the MacGuffin, the thing one of the characters seeks for most of the plot, only to be tossed into the ocean in the end. Not the boobies, the necklace. But both are tied to the villain, Rose’s fiancé Billy Zane, who gives the necklace to her on the ship, probably after feeling her boobies. Why a blue diamond? James Cameron loves the color blue is all. But it also represents the ocean. Heart of the Ocean. Blue. Obviously. 

7 – The Jokes. Not so much one-off jokes as it is in the charm of the lead actors, even during the attempted suicide scene when they first meet at the butt of the ship. The comedy is in the embarrassment of spittle upon DiCaprio’s chin, or the prideful pain in Winslet’s bare ballet tippy toes on a beer-covered third class floor, or in sly comments about how Americans don’t have fleas and the third class has hardly any rats. It is 1912, after all. There are only so many jokes that existed back then and it’s important to be historically accurate. You can put a theme of playing cards throughout as a fun add-on. Have Leo win his ticket in a game of cards, give the main characters the colorful card names of Jack (black) and Rose (red). Make the mom remind Rose of how their good name is the only card they have left to play. Playing cards. Those existed in 1912.

8 – The Title. Titanic. It’s the name of the boat. Or the most famous thing about the disaster. Unless it is “too soon” and the disaster was too tragic, then name it something else, like A Night to Remember or The Unsinkable Molly Brown. Or Futility. Wait, that’s the name of the novel about an unsinkable ship that hits an iceberg mid-April called the Titan by author Morgan Robertson released fourteen years before the sinking of the real ship Titanic. Yes, before. True story. Too complicated to include in our movie, though, so just let people find that on the internet on their own. Stick to Romeo and Juliet on a boat and what really happened in 1912 and the simplest title that doesn’t disturb people. Also predict the size of profits you want to make with this film. Titanic.

9 – The Ending. The boat sinks. We knew that. We also knew that Romeo and Juliet died at the end of the story when Shakespeare tells us about it in the opening monologue of his play. It’s not about what happens, it’s about how it happens. The movie Titanic, at three hours and fifteen minutes, especially when seen on the big screen, makes you feel like you are actually on the Titanic during its real life two hour and forty minute sinking. That’s what makes teenage girls like me go see Titanic in theaters five times in three weeks. That, and Leonardo DiCaprio. That’s over sixteen paid hours of watching a boat sink. It felt real. I cried a lot.

10 – The Heart. (will go on). Romeo and Juliet, remember? A love story for the ages, but modernized with today’s hottest actors. Also, James Cameron just tricked you into sitting in a three hour history lesson. You could totally ace a test on the Titanic after watching the movie. I mean, nothing about Jack and Rose or their supporting characters is true, nor is anything that takes place in Bill Paxton’s time, but everything else is historically accurate. Director Jim studied every nook, cranny, photograph, blueprint, artifact, and human story that entered that ship, and paid tribute to it in his film, dropping fictional star-crossed lovers into the historically-accurate background. Oh yeah and there’s a great song written by James Horner for Celine Dion at the end. My Heart Will Go On. As will my love for the movie Titanic. Just looking at the poster makes me want to see it again. 

*L.A. Zvirbulis did not write Titanic. James Cameron did.

How to Write Aliens

aliensposter

How to Write Aliens

by L.A. Zvirbulis

1 – The Inspiration. Watch a movie called Alien while you’re stoned. Decide to write a sequel on your own because you’ve just stopped smoking marijuana and are super focused now.

2 – The Genre. Horror but with more Action. Action-Horror. Do what the first movie did but with more characters and more aliens. Same but more, as no one in Hollywood advises. Write it at the same time you write another Action-Horror movie called “The Terminator”. People love female-led action movies in the mid-1980s. No one will notice that you kind of write the same movie over and over again. And no one will ever notice that all of the movies you write and direct start with either the letters A or T and feature the color blue.

3 – The Complications. What’s the worst that could happen? You are forced by an evil corporation to join a bunch of military grunts on a mission to find this alien you saw once so they don’t sue you for blowing up their expensive ship Nostromo from the last movie. Also you lost your biological daughter in the deleted scenes.

4 – The Fun Stuff. You know how the first movie was about men scared of having children? Let’s make Ripley adopt this awesomely tough eight year old girl named Newt, who happens to be the only survivor on the territory set up by the evil corporation. This will cause people to take their own young daughters to the movies and then inspire them to write about movies later in life. Thank you, Mom.

5 – The Device. The alien has to be scary but also be the same alien from the first film. So let’s just put more aliens in the sequel. But this time, we also get to meet the Mother alien – the one that lays all the eggs of the face huggers. A mother versus a mother? Awesome. Let’s also add flame throwers and a cool alien-tracking watch.

6 – The Ripley. Ripley is even more badass than she was in the first movie. This time, she’s a mother. This time, she knows what her villain is – it’s not the actual aliens, it’s the profit-driven evil corporation represented by that guy from 90s sitcoms. This time, Ripley’s not the only one that survives.

7 – The Jokes. Make Bill Paxton say funny things like “Game over, Man,” “We’re on the express elevator to Hell, going down,” and “Yeah, but it’s a dry heat.” He’s a grunt. Grunts make jokes. Put Bill Paxton in a lot of your movies.

8 – The Title. This is the sequel to Alien, with Sigourney Weaver reprising her original role as Ripley. So what is more than one Alien? It’s plural. Aliens. When you pitch this, use a dollar $ign as the $ in Alien$. This will also give $igourney Weaver’$ agent bargaining control to get her a big paycheck, and po$$iblly in$pire pop $star$ decade$ later.

9 – The Ending. Blow the alien out of the damned airlock, just like the first movie. Same but more, am I right? “Save the Cat” by having it not join the mission in the first place. Smart cat. Let’s make the synthetic more human in this one, and he/it helps save the kid but only after getting ripped ruthlessly in half, also paying tribute to the talking head synthetic in the original. This is also where you put the line “Get away from her, you bitch!” You can put this scene without that line in your movie Avatar.

10 – The Heart. Alien is a movie about men being scared of getting pregnant. Aliens is a movie about a mother protecting a child. Both the hero and the villain are mothers protecting what is most valuable to them. Argue what you will about James Cameron, but that strange “human” knows how to make a beautiful feminist sequel to a movie he didn’t originally write.

*L.A. Zvirbulis did not write Aliens. James Cameron did from a story by a story by James Cameron, David Giler, and Walter Hill based on characters created by Dan O’Bannon and Ronald Shusett.